People in cultures across the world congregate to local demand theaters and purchase their tickets for the new popular exact that everyone has been raving about. For deuce hours, st lay outrs sit amongst apiece other in their seats with their eyeball fixed upon the big screen all sharing the comparable feature. While the audience is equally presented with the same motion picture, each leaves with his or her own unique experience of the feature film. Spectatorship and the judgment of how individuals alter, decon schoolbookualize and re mobilize text within films has been an evolving and heavily intemperate area of study within film theory. One folk of film that has attracted much attention within this theory is the text suggesting dominant racist ideology throughout the film. Using films with unimaginative texts allows the theory of spectatorship to be a much more object lens and tangible issue to discuss. The concept of how a spectator of the rush being separate perceives and interprets the film suggesting a dominant racist ideology differs from a spectator not being of the hightail it stereotyped is widely discussed in Peter Feng?s phrase Recuperating Suzie Wong: A Fan?s Nancy Kwan-dary.
Feng examines how the film The World of Suzie Wong, which suggests some Asian American stereotypes, is a film that the Asian American loves to hate and loves to love. While this film conveys many Asian American stereotypes, a film such as Harold and Kumar Go to blank Castle is a film that has a much broader range of stereotypes suggested within the text. Since no one is safe from being stereotyped within the text of Harold and Kumar Go to White Castle, this is an exceptional film in an attempt to understand how it is a film that the spectator loves to2love and loves to hate and how this...
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